in blur

In the beginning of the 20th century, Anton and Arturo Bragaglia, brothers and photographers, were more interested in capturing movement than forms. They aimed to create a dedicated style of photography: photodynamism. Movement was to be depicted as a continuum, a trace of a trajectory. There are no clear lines in photodynamism to which most of us are used in a still photograph. Instead, subject matter is mostly blurry, being caught in motion: photographed in time rather than in space. This series is my modest homage to photodynamism, and I am questioning the clarity and security of a once perceived form.